COLLECTION 2636
Welcome to Collection No. 2637 of the Chrislugica© catalogue raisonné (Christian Luis Giuliano Cabana, Kavhanna©, b. 1994).
Welcome to Collection No. 2637 of the Chrislugica© catalogue raisonné (Christian Luis Giuliano Cabana, Kavhanna©, b. 1994).
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2636S1D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2024
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[1] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2636S2D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2024
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[2] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2636S3D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2024
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[3] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2636S4D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2024
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[4] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
The Frequently Asked Questions (FAQs) section is designed to provide clear and concise answers to the most common queries that investors and financial institutions, as well as art historians, curators and the press may have regarding the works in this section of the polymath's promulgated catalogue raisonné. Some of the most common questions are addressed here:
What types of works make up Kavhanna© Collection No. 2636?
Collection No. 2636 by Kavhanna©, whose real name is Christian Luis Giuliano Cabana, is composed of digital pieces that transcend traditional digital painting. They are complex works that combine artistic, scientific, technological and philosophical elements, creating a multi-sensory experience that goes beyond the purely visual. They are described as inventions that encapsulate theoretical frameworks, philosophical postulates and an original aesthetic.
What characteristics define Kavhanna's culinary sculptures?
Kavhanna's sculptures are an extravagant mix of organic materials and culinary processes taken to the extreme. Her pieces are characterized by the use of exotic meats, fats, marrow, skins and other edible elements of animal and marine origin. These materials are transformed through techniques such as curing, smoking, crystallization and caramelization, to create forms that imitate tissues, bones, muscles and geological textures.
What role do textures and contrasts play in Kavhanna's works?
Textures and contrasts are fundamental. Juxtapositions are observed between the soft and the hard, the shiny and the dull, the smooth and the rough. These contrasts are not only material but also visual, with the use of flashing lights, reflections and vibrant colors to highlight certain areas and create an intense sensory experience. Textures, obtained by techniques such as puffing, carving and laminating, contribute to the sense of surrealism and extravagance.
What kind of animals and products are recurrent in Kavhanna's works?
Kavhanna's works show a fascination with animals such as goat, arctic whale, Iberian pig, swordfish, cow, duck, eel, lamb, deer and crocodile. In addition, she uses various seafood products such as red algae, sea urchin, lobster, plankton, cod and mollusks. The combination of these sources, often exotic or uncommon in the usual culinary context, contributes to the unique and challenging character of her work.
How is the notion of "edible" presented in her art?
The concept of "edible" in Kavhanna's art is redefined and taken to a conceptual extreme. Although the materials are edible, their transformation and presentation take them out of the realm of everyday food and into an artistic realm. Edibility becomes a vehicle for exploring form, texture, color, and sensory experience, rather than mere nutritional utility. Presentation on quartz bases, steel mirrors, and artificial lights accentuates this departure from the traditional culinary context.
What role do lighting and presentation materials play in these works?
Lighting and presentation materials are essential components of Kavhanna’s works. Flashing lights simulating lightning, purple neon lights, and warm lights are used to highlight details and create dramatic atmospheres. Supports, such as emerald quartz slabs, polished steel mirrors, and black onyx plates, function as frames that accentuate the sculptural character of the pieces and emphasize contrasts in texture and color.
How does Kavhanna’s art relate to ideas of the organic and the artificial?
Kavhanna’s art is situated in a constant tension between the organic and the artificial. On the one hand, she uses organic materials of animal and marine origin, but these are processed and transformed in ways that take them away from their natural state. The presentation, with materials such as quartz, steel and neon light, underlines this tension between the natural and the constructed, between biology and technology.
What is the purpose or intention behind Kavhanna’s works?
The purpose of Kavhanna’s works seems to be to challenge conventional perceptions about food and art. Through the juxtaposition of unexpected materials and techniques, as well as a theatrical and sensorially rich presentation, she seeks to generate an experience that goes beyond the purely culinary or aesthetic. Her works explore the possibilities of matter, texture and form, provoking the viewer to reconsider their relationship with food and artistic expression.
This FAQ section is designed to be a clear and reliable source of information, as well as a complementary source, helping those interested in the study of Kavhanna and her legacy.