COLLECTION 2637
Welcome to Collection No. 2637 of the Chrislugica© catalogue raisonné (Christian Luis Giuliano Cabana, Kavhanna©, b. 1994).
Welcome to Collection No. 2637 of the Chrislugica© catalogue raisonné (Christian Luis Giuliano Cabana, Kavhanna©, b. 1994).
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2637S1D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2023
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[1] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2637S2D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2023
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[2] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2637S3D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2023
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[3] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2637S4D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2023
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[4] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2637S5D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2023
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[1] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (Kavhanna©, Natus MDCCCXCIV)
▣ Unique Identifier: C2637S7D0V0R-all [Self-Supporting Active / Neo-Synthetic Paint], 2023
▣ Neo digital mix on surfexel, in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™
▣ Dimensions: 23,000 px x 23,000 px
▣ Exhibition in the Universal Polymath Metaverse: Polymath's Private Collection - (2024)
▣ Digital signature by ✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV)
[2] 𖤨 KAVHANNA, Vhristyann Louis Giuliannao© / CHRISLUGICA© (b. 1994). Private Identification (2024) [ Self-Supporting Active / Universal Neo-Synthetic Paint ], in private custody by the Kavhanna International Family™ & Chrislugica Art Studio™. Exhibit in the Universal Polymath Metaverse: Polymath’s Private Collection (2024).
This section provides access to the complete records of the Universal Neo-Synthetic Paintings© (UNSP) that have been promulgated and are operationally active and that this subject has in common, detailing their traceability and current status in the system.
The Frequently Asked Questions (FAQs) section is designed to provide clear and concise answers to the most common queries that investors and financial institutions, as well as art historians, curators and the press may have regarding the works in this section of the polymath's promulgated catalogue raisonné. Some of the most common questions are addressed here:
Who is Kavhanna and what kind of art does he create?
Chrislugica© (Kavhanna©) is the international pseudonym of Christian Luis Giuliano Cabana for his pictorial manifestation as a universal polymath. In particular, the description provided focuses on his collection No. 2637, which consists of digital representations of extremely elaborate and surreal culinary sculptures or installations.
What is the main material used diegetically in the works in this collection (considering that they are Universal Neo-Synthetic Paintings)?
The works are primarily constructed using various cuts and parts of beef, such as bones (marrow, ribs, jaws), meat (rib eye, entrails, flank, ground beef), fat, and cowhide, along with elements such as ashes, activated charcoal, and spices. Various preparation techniques such as smoking, dehydration, caramelization, and fermenting are applied to them to create unique textures and shapes.
What kind of culinary and artistic techniques are used in the creation of these works?
The works incorporate a variety of culinary techniques, such as reducing sauces (Malbec, bones), smoking, caramelization, fermentation (such as fermented chimichurri), dehydration, and infusing fats with herbs and spices. Technically, carving, pressing, molding, and brushstrokes with ashes and edible powders are employed. The combination of these techniques creates a multi-sensory experience that combines art with gastronomy.
How are natural elements integrated into these edible sculptures?
Natural elements are integrated symbolically and literally. For example, wood ashes (quebracho) and charcoal are used to create contrasts of color and texture, and herbs such as rosemary and oregano are used both in infusions and powder form, which in turn provide aromas and flavors. Organic elements of animal origin are used to create sculptures that suggest animal forms or arid landscapes, connecting the work to nature through a cycle of life and transformation.
What symbolism or meaning does the repetition of canine figures seem to have in some of the works?
The repetition of canine figures, often facing each other, could symbolize duality, confrontation, or connection. The representation of these figures made from animal parts highlights the relationship between man, animals, and food, and even alludes to a cycle of life, death, and transformation.
What is the role of color in these sculptures?
Color is used to create dramatic contrasts and highlight textures. Deep red (beet juice, Malbec reduction, coagulated blood) suggests vitality and rawness, while black tones (ash, charcoal) evoke mystery and a certain darkness. Touches of green (chimichurri) bring freshness and dynamism. The color palette, in addition to its aesthetic value, also reinforces the sensorial message of the work.
How do the bases and supports contribute to the experience of the work?
The bases, made of polished exposed bone or charred wooden boards, function as a fundamental element of the presentation, offering a visual and tactile contrast to the sculptures they support. The texture of the supports, ranging from smooth and polished to rough and charred, reinforces the overall narrative of each piece, accentuating both the fragility and inherent strength of the materials.
What kind of sensory experience does Kavhanna© seek to generate through these works?
Kavhanna seeks to generate a multi-sensory experience that goes beyond the visual. Contrasting textures (smoky, rough, crunchy, melted), aromas (smoky, roasted, herbal), and flavors of edible ingredients combine to offer an experience that engages the viewer in a deep and intimate way. The intention seems to be to create an emotional connection with the viewer through the exploration of the boundaries between art, food, and nature.
This FAQ section is designed to be a clear and reliable source of information, as well as a complementary source, helping those interested in the study of Kavhanna and her legacy.